The greatest poet of his time, Afanasy Afanasyevich Fet, pays great attention to the theme of love. So, in his works, Fet presents us with a lyrical hero who has a subtle mental organization. The writer in his works uses the technique of parallelism: the mood of the lyrical hero, his feelings and emotions, which are often reflected in nature. Nature for him is part of a bright feeling. Fet is convinced that nature is characterized by all these feelings and the variety of colors that are present in love.
Fet's love lyrics are something magical and unearthly. In his poems, he describes love as a warm and bright feeling, reflecting it in endless variety. He believes that love is a feeling that never fades away and remains for a long time in the memory of each of us. Often, the author's works take the form of a memoir. So, for example, in his poem “The night was shining. The garden was full of the moon." Afanasy Afanasyevich Fet endows the lyrical hero with memories. this work the author has its own story. So, the poet, having heard songs performed by Tatyana Bers, finds a muse in her. Tatyana made his heart experience love, which he talked about in his poem. Fet writes about love, which by chance turned out to be unsuccessful. The author, conveying everything through the lyrical hero, talks about his condition.
From the first lines we learn that the poet is full of experiences, he is endowed with memories of the past, which, unfortunately, torment him. Describing his beloved who plays with the strings of the instrument, he draws a certain line between the human heart and the strings of the instrument. He wants to hear the voice of his beloved, but, alas, he cannot... Reading the poem, readers become more and more immersed in Fet’s love lyrics, which are filled with memories and experiences.
In his work, the great poet Afanasy Afanasyevich Fet describes love in all its glory. Most likely, the poet’s life was open to sincere feelings and warm memories that excited Afanasy Afanasyevich. Surely the author is convinced that such a bright feeling should be represented in the whole range of feelings. With great zeal, he conveys to every person the feelings of the lyrical hero and makes him empathize with him. In his works, he tries to get into the reader’s soul and plant his thoughts there for a long time, which touches on the most beautiful feeling in the world - love. After all, love is a feeling of spiritual affection that every person on Earth has experienced. In the eyes of Afanasy Afanasyevich Fet, love is something that is never forgotten and makes us remember everything that happened at a certain moment of happiness associated with love. Reading his works, the reader is immersed in reasoning, penetrates and understands the poet’s views. All of his work is easy to understand and leaves a lasting impression.
Essay Theme of love in Fet's lyrics
Afanasy Afanasyevich Fet was a famous Russian poet; he wrote his first collection in 1840, and its title was “Lyrical Pantheon”. In 1860, when the peace of the people was disturbed by the revolution, Afanasy Afanasyevich took the side of the landowners. Fet stops writing and returns to his work only in his later years and publishes four collections and releases them under the same title “Evening Lights.”
Afanasy Afanasyevich is an unusual writer; his poems are musical and touch every note of the heart. Fet's lyrics are filled with love and this one distinguishing feature from everyone. Important role Tragic love played a role in his lyrical poems. Afanasy Afanasyevich was in love with a very smart girl named Maria Lazic. Love for her inspired the writer, but it all ended in tragedy. For unknown reasons, the girl died, and Afanasy Afanasyevich Fet until the end of his days felt guilty about her death.
Afanasy Afanasyevich was a cold and calculating person, but in his works he so beautifully lyrically described the feeling of love that many did not believe in it. After Lazic’s death, Fet’s sense of guilt is so great that this is some impetus for Afanasy Fet’s dual world. Perhaps that's why in real life he is unapproachable and cold, and in his works his heroes are lyrical and overflowing with a feeling of love.
Afanasy Afanasyevich wrote many poems about his love and separation from Maria Lazich. In his poems, he says that she has already suffered, but he still has to suffer, toils on this earth. All his life he hoped for a reunion with his beloved and carried sensual and strong love for her.
Afanasy Afanasyevich lived by his poetry and this was a completely different world for him, in which he wanted to show all the beauty of the lyrical heroes. Afanasy Afanasyevich wanted to show all readers how much the world can be changed if you fill it with love.
Fet wrote about lost love and how he misses his beloved, and he wants to meet her soon. He dedicated many works to his sincere, bright feelings. Afanasy Fet in his poems wrote about Mary as a living girl.
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It's an eternity that lasts a day.
This is a life lived in a week.
A. S. Pushkin
Fet's love lyrics are the most frank page of his poetry. The poet's heart is open, he does not spare it, and this drama of his poems is literally shocking, despite the fact that, as a rule, they end in a light, major key.
In the years military service Afanasy Fet experienced a tragic love that influenced all of his work. It was love for Maria Lazic, a fan of his poetry, a very talented and educated girl. She also fell in love with him, but they were both poor, and for this reason Fet did not dare to join his destiny with his beloved girl. Soon Maria Lazic died, she was burned. Until his death, the poet remembered his unhappy love; in many of his poems one can hear its unfading breath. Fet's poetry is joyful and bright, it is characterized by a feeling of light and peace. He even writes about his ruined love lightly and calmly, although his feeling is deep and fresh, as in the first minutes. Until the end of his life, Fet was not changed by the joy that permeates almost all of his poems.
Fet also perfectly conveys the “fragrant freshness of feelings” inspired by nature, its beauty and charm. His poems are imbued with a bright, joyful mood, the happiness of love. The poet unusually subtly reveals the various shades of human experiences. He knows how to capture and put into bright, living images even fleeting mental movements that are difficult to identify and convey in words:
Whisper, timid breathing,
The trill of a nightingale,
Night light, night shadows,
Silver and the swaying of the Sleepy stream,
Endless shadows
A series of magical changes to Sweet Face,
There are purple roses in the smoky clouds,
The reflection of amber
And kisses and tears,
And dawn, dawn!..
This is a poem about love, about a date, about nature. Here nothing is depicted as a whole, there is no single image. Beloved is a “whisper, a timid breath,” a sweet face. A date - “both kisses and tears.” There is not a single verb in the poem, because the verb denotes an action, a process, and Fet’s poems, on the contrary, stop moments of beauty, love, happiness.
The poems of A. A. Fet are loved in our country. Time has unconditionally confirmed the value of his poetry, showing that we, the people of the 20th century, need it, because it touches the innermost strings of the soul and reveals the beauty of the world around us.
Already at the very beginning of the twentieth century, Fet was called “the singer of silence”, “the singer of the inaudible”, the new reader listened with rapture to Fet’s lines that “they move with an “airy foot”, “barely pronounced.” “All the world’s joy and the sweetness of love dissolved into the most refined element and fills its pages with fragrant vapors; that’s why his poems make your heart skip a beat and make your head spin,” wrote the famous literary critic K. Aikhenwald.
In the spring of 1845, Afanasy Fet served as a non-commissioned officer in a cuirassier regiment, which was located in the south of Russia, in the Kherson province. Here is Fet, a great connoisseur beautiful ladies, met and became friends with the Lazic sisters - Elena and Maria. The eldest was married, and the regimental adjutant’s courtship of a woman who sincerely loved her husband led nowhere.
Maria Lazic is a fan of Fet’s poetry, a very talented and educated girl. She also fell in love with him, but they were both poor, and A. Fet for this reason did not dare to join his destiny with his beloved girl. A tragedy soon happened to Maria: she burned to death in a fire that broke out in her room from a carelessly left cigarette. The girl’s white muslin dress caught fire, she ran out onto the balcony, then rushed into the garden. But the fresh wind only fanned the flames... Dying, Maria allegedly asked to keep his, Fet’s, letters. And she also asked that he not be blamed for anything... But the feeling of guilt constantly haunted Fet throughout his life.
In the poet’s memoirs, Maria Lazic appeared as a tall “slender brunette” with “extraordinary luxury of black, bluish-tinged hair.” In memory of past feelings, Fet wrote a poem. Some sounds rush around and cling to my headboard. They are full of languid separation, Trembling with unprecedented love. It would seem, well? The last tender caress sounded, Dust ran along the street, The postal carriage disappeared... And only... But the song of separation Unfulfilled teases with love, And bright sounds rush and cling to my headboard.
Until the end of his days, Fet could not forget Maria Lazich; the drama of life, like a key, fed his lyrics and gave the poems a special sound. It is believed that his love lines had one addressee, these are the poet’s monologues to the deceased Mary, filled with repentance and passionate. Her image was revived more than once in Fetov’s lyrics.
A few years later, after the death of Maria, Afanasy Fet linked his life by legal marriage with the daughter of the tea merchant Botkin. He showed himself to be a good master, increased his wife’s fortune, and in his sixties he finally achieved the highest command and returned the name of his father Shenshin with all the rights belonging to his family and rank.
Fet's lyrics are thematically extremely poor: the beauty of nature and women's love - that's the whole theme. But what enormous power Fet achieves within these narrow limits. The late poems of Fet are amazing. Elderly in life, in poetry he turns into an ardent young man, all of whose thoughts are about one thing - about love, about the exuberance of life, about the thrill of youth (“No, I haven’t changed”, “He wanted my madness”, “Love me! As soon as yours truly”, “I still love, I still yearn”). What happiness: both the night and we are alone! The river is like a mirror and all sparkles with stars; And there... throw your head back and look: What depth and purity is above us! Oh, call me crazy! Call it Whatever you want; at this moment I am weakening in my mind and in my heart I feel such a surge of love that I cannot remain silent, I won’t, I don’t know how! I'm sick, I'm in love; but, suffering and loving - Oh listen! oh understand! - I don’t hide my passion, And I want to say that I love you - You, you alone, I love and desire! 1854
Researchers of the poet's work suggest that Fet's death is suicide. Knowing how destructive alcohol is for him, he, seriously ill, sends his wife for champagne, and after she leaves he quickly dictates to his secretary: “I don’t understand the deliberate increase in suffering, I am voluntarily going towards the inevitable.” He grabs a heavy stiletto for cutting paper, it is taken away, but the corpulent and purple old man, gasping for breath, runs into the dining room. Halfway there he suddenly collapses onto a chair and dies... Fet died in 1892 and was buried near the church in the village of Kleimenov.
Poetry is a form of love. It is difficult to disagree with the above statement, especially when we are talking about the love lyrics of such a classic of Russian literature as Afanasy Fet. Poems about love were his companions not only in his youth, but also in his old age. What prompted the poet to create lines that are now known to many and how do Fet’s works stand out among others?
Fet's love lyrics: background
It is unlikely that anyone will argue with the fact that love is the most powerful catalyst of poetry. Not a single poetic masterpiece was written from scratch. The authors were motivated by both fleeting love and a feeling carried throughout their lives. In the life of Afanasy Fet, both the first and the second were present. But the key role in Fet’s love poems still belongs to Maria Lazic. One of the poet’s most famous works, “Whisper, Timid Breath,” is dedicated to her.
Fet fell in love more than once, but only the feeling for Maria Lazic was always with him. He dedicated poems to this woman both during the relationship and when there was no longer any hope of seeing her. Fet met Maria while serving in the garrison near Kherson. The girl was from the family of an impoverished retired military man. Maria was then 22, and Fet was 28. Lazic was considered an educated young lady and, even before meeting the poet, she was well acquainted with his work. Maria was not one of the dazzling beauties, but soon after meeting Fet recognized her as a kindred spirit. However, lack of funds for both prevented the reunion.
The correspondence continued for some time, but in the end, Fet initiated a complete break. In 1850, the poet was struck by terrible news: Maria died. The girl's dress accidentally caught fire. She died from her injuries a few days later. It is difficult to say whether it was suicide or an absurd accident, but Maria died with the words: “He is not to blame...”.
Love in the works of Afanasy Fet
The story described above left a significant mark on Fet’s love poems. Moreover, without knowledge of this background it is difficult to understand the full depth of his works. So, in addition to the feeling of hope and hope, there is a fair amount of tragedy in them. To please circumstances, Fet gave up love, but his works clearly show that in fact the feeling for the one and only one did not leave him even in his old age. This is clearly evidenced by the famous “Evening Lights,” collections written by Fet, who was already in his declining years.
Poems about love, written by the classic, are full of love-experience, fused with the image of nature. Moreover, many works are the embodied memory of Mary. The motives of punishment and guilt give this lyric a tragic tone. Emphasizing the latter, Fet sometimes calls his lyrical hero “executioner.” The only way to atone is death. It is not without reason that in one of the questionnaires the poet admitted that he would like to live “as long as possible.”
Besides, love poetry Fet is characterized by a persistent motif of burning, which undoubtedly has some connection with the circumstances of Lazic’s death. For example, the poem “Don’t wake her up at dawn” begins with a description of a girl’s quiet and peaceful sleep, but at the end there are terrible words: “Here a man has burned!”
As a result, in Fet’s lyrics the opposition of images – the lyrical heroine and the hero – is clearly visible. The first died long ago, but lives in the memory of the hero and his poems, the second is alive, but dead in the soul. The image of Lazic became a moral ideal for the poet, and his life turned into a pursuit of this ideal, in the hope of being reunited with it. Therefore, in Fet’s works, earthly life is often painted in dark tones, while heavenly life is dazzlingly bright. For him, female beauty is like nature, and contemplation of a beloved woman is comparable to admiring nature.
According to many researchers, Fet's love poems are the only area of his work where the life impressions of this master of words were fully reflected. That is why these works are so different from the others. They lack that incredible feeling of happiness in life and joy that can be seen in landscape lyrics classic. The cycle of works dedicated to Lazic spans almost 4 decades. It included many poetic miniatures: “An Irresistible Image”, “You suffered...”, “Old letters”, “I dreamed of screams for a long time...”, “No, I haven’t changed...”, etc.
Fet belongs to that amazing category of poets who, by telling about their experiences, awaken in readers their love and their memories. His poems can be compared to a bow that awakens the music of thoughts and feelings.
A.A. Fet is a sophisticated lyricist, endowed with an exceptional sense of beauty and genius. The main mood of Fet's poetry is a mood of elation. Intoxication with nature, love, art, memories, dreams is the main emotional content of his poems.
The love theme is especially significant for Fet. The feeling for a woman becomes all-consuming for the lyrical hero. Love makes it possible to experience inexpressible delight. However, the originality and power of Fet’s love lyrics is not in psychological portrait, not in individual characteristics. The poet does not seek to recreate the image of his beloved woman. He is not interested in people themselves, but in their experiences. The poems give only moments of feeling, there is no development of it. The poet captures moments love story. In the poem “What a Night! The transparent air is constrained..." the lyrical hero at the hour of the meeting was only tormented by the consciousness that he was loved, but he did not love:
You waited, you longed for recognition -
I was silent: I didn’t love you.
But since the last date everything has changed:
But now, when I tremble and cry
And, like a slave, I catch your every glance,
I'm not lying when I call you mine
And swearing that I love you!
Fet does not try to explain this sudden change, to trace how the feeling changed, he only compares two contrasting experiences.
Fet's main cycle of love poems is dedicated to Maria Lazic. Their romance ended in separation, which was soon followed by the death of the girl. Memories of this tragic love did not lose their poignancy for Fet over time. Therefore, in most of his love poems, verbs are used in the past tense. The lyrical hero lives in the past, in memories, “it was tenderness.” In the poem “No, I haven’t changed. Until deep old age...” he admits:
And the old poison of chains, joyful and cruel,
It still burns in my blood.
The feeling for the untimely departed beloved woman continues to give inspiration:
And, shuddering, I sing.
Like all true poetry, Fet's poetry summarizes what the poet himself experienced. His poems about love reveal Big world experiences that are common to every person. Thus, the poem “The Night Was Shining...” is not only about Fet’s feelings for the sweet young T. Kuzminskaya, but about high human love in general. In terms of meaning, this lyrical play can be divided into two parts. The first two stanzas are memories of the intensity of the love feeling of the lyrical hero. The third and fourth stanzas are about his new meeting with his beloved and the return of lost happiness. The poem “The Night Was Shining...” gives birth to vivid pictures in the imagination. I vividly imagine a darkened living room, outside its windows is a garden full of night freshness and moonlight. Magical music and a wonderful voice sounds:
The piano was all open, and the strings in it were trembling,
Just like our hearts are for your song.
The poetic story of a love story amazes with its liveliness and emotionality. It is no coincidence that the poet uses many verbs in the poem. In the first part they are used in the past tense, but in the second part they are used in the present tense. This gives the lyrical narrative dynamics, the poems accelerate, the emotional tension increases and reaches its climax:
That there are no insults from fate and burning torment in the heart,
But there is no end to life, and there is no other goal,
As soon as you believe in the sobbing sounds,
To love you, hug you and cry over you...
The last four lines are the musical, emotional, and semantic completion of the poem. This is the last and highest point of the lyrical plot. For Fet, “crying sounds”, love, and a woman exist together. All these are phenomena of beauty. Believing in beauty and singing it is the poet’s high happiness and the highest goal of his work.
Another famous poem Feta about love - “Whisper, timid breathing...” This miniature is about the beauty of night nature, about love, the most subtle feeling, inexpressibly strong. There is no image of a lyrical hero in the work. This technique helps create the feeling that this is a poetic story about the love of the eternal Romeo and Juliet. The poem is built on nominative sentences alone. There is not a single verb in it. A peculiar chain of objects and phenomena appears before us, which are named one after another: whispering - timid breathing - nightingale trills, etc. But this work still cannot be called objective and material. Objects in Fet's poem do not exist on their own, but as signs of feelings and states. And these peculiar symbols evoke certain associations in the reader. So, roses, the singing of a nightingale, night light - all these are attributes of a romantic date for lovers. Gradually, from the sounds, the breath of the night, the reflections of the stream, a “sweet face” appears in its “magical changes.” A date with your beloved is fraught with happiness and sweet suffering: “And kisses, and tears...” A long, all-night meeting and heartfelt intimacy ends with inexpressible delight: “And the dawn, the dawn!..” the last words sound not among the others, but stand out . Dawn is not just another phenomenon, but a “strong” metaphor and a “strong” ending. In the context of the poem, dawn is the highest expression of feeling, the light of love. “Whisper, timid breathing...” is a very beautiful and reverent work. It is one of the best examples of Fet's love lyrics.
Fet's best poems are about the beauty of a woman, love, reciprocity, and what fills the soul with happiness. These works were included in the golden fund of Russian poetry. They amaze with their emotionality, light sadness and joy, and a unique transmission of the subtlest shades of spiritual life.
This essay was written by teachers and was included in the “cheat sheet 2003 from BOBYCH.SPB.RU” for the final exam in literature.
The theme of love is one of the components of the theory of pure art, most widely reflected in Russian literature in the poems of Fet and Tyutchev. This eternal theme poetry nevertheless found its new refraction here and sounded somewhat new. Saltykov-Shchedrin wrote in the 70s that now no one will dare to sing the praises of nightingales and roses. For Fet, the theme of love, on the contrary, was fundamental to all of his work until the end of his life.
The creation of beautiful poems about love is explained not only by the divine gift and special talent of the poet. In the case of Fet, it also has a real autobiographical background. Fet's inspiration was the love of his youth - the daughter of a Serbian landowner, Maria Lazic. Their love was as high and unquenchable as it was tragic. Lazic knew that Fet would never marry her, nevertheless, her last words before her death were the exclamation: “It’s not he who is to blame, but me!” The circumstances of her death have not been clarified, as have the circumstances of Fet’s birth, but there is reason to believe that it was suicide. The consciousness of indirect guilt and the severity of the loss weighed on Fet throughout his life, and the result of this was a dual world, something akin to the dual world of Zhukovsky. Contemporaries noted Fet's coldness, prudence and even some cruelty in Everyday life. But what a contrast this makes with Fet’s other world - the world of his lyrical experiences, embodied in his poems. All his life Zhukovsky believed in connecting with Masha Protasova in another world, he lived with these memories. Fet is also immersed in his own world, because only in it is unity with his beloved possible. Fet feels himself and his beloved (his “second self”) inseparably merged in another existence, which actually continues in the world of poetry: “And although I am destined to drag out life without you, we are together with you, we cannot be separated.” (“Alter ego.”) The poet constantly feels spiritual closeness with his beloved. The poems “You have suffered, I still suffer...”, “In the silence and darkness of a mysterious night...” are about this. He makes a solemn promise to his beloved: “I will carry your light through earthly life: it is mine - and with it a double existence” (“Wearisomely inviting and in vain...”).
The poet speaks directly about “double existence”, about the fact that his earthly life The only thing that will help him bear is the “immortality” of his beloved, that she is alive in his soul. Indeed, for the poet, the image of his beloved woman throughout his life was not only a beautiful and long-gone ideal of another world, but also a moral judge of his earthly life. In the poem "Dream", also dedicated to Maria Lazic, this is felt especially clearly. The poem has an autobiographical basis; Lieutenant Losev is easily recognizable as Fet himself, and medieval house, where he stopped, also has its prototype in Dorpat. The comic description of the “club of devils” gives way to a certain moralizing aspect: the lieutenant hesitates in his choice, and he is reminded of a completely different image - the image of his long-dead beloved. He turns to her for advice: “Oh, what would you say, I dare not name who with these sinful thoughts.”
The literary critic Blagoy, in his research, points out the correspondence of these lines to the words of Virgil to Dante that “as a pagan, he cannot accompany him to heaven, and Beatrice is given to him as a companion.” The image of Maria Lazic (and this is undoubtedly her) for Fet is a moral ideal; the poet’s whole life is a desire for an ideal and hope for reunification.
But Fet’s love lyrics are filled not only with a feeling of hope and hope. She is also deeply tragic. The feeling of love is very contradictory; it is not only joy, but also torment and suffering. In poems there are often such combinations as joy - suffering, “the bliss of suffering”, “the sweetness of secret torment”. The poem "Don't wake her up at dawn" is filled with such a double meaning. At first glance, we see a serene picture of a girl’s morning sleep. But already the second quatrain conveys some kind of tension and destroys this serenity: “And her pillow is hot, and her weary sleep is hot.” The appearance of “strange” epithets, such as “tiring sleep,” no longer indicates serenity, but some kind of painful state close to delirium. The reason for this state is further explained, the poem reaches its climax: “She became paler and paler, her heart beat more and more painfully.” The tension grows, and suddenly the last quatrain completely changes the picture, leaving the reader in bewilderment: “Don’t wake her, don’t wake her, at dawn she sleeps so sweetly.” These lines provide a contrast with the middle of the poem and return us to the harmony of the first lines, but on a new turn. The call “don’t wake her up” sounds almost hysterical, like a cry from the soul. The same impulse of passion is felt in the poem “The night was shining, the garden was full of the moon...”, dedicated to Tatyana Bers. The tension is emphasized by the refrain: “Love you, hug you and cry over you.” In this poem, the quiet picture of the night garden gives way to and contrasts with the storm in the poet’s soul: “The piano was all open and the strings in it trembled, just like our hearts behind your song.”
The “languorous and boring” life is contrasted with the “burning torment of the heart”; the purpose of life is concentrated in a single impulse of the soul, even if in it it burns to the ground. For Fet, love is a fire, just like poetry is a flame in which the soul burns. “Didn’t anything whisper to you at that time: a man was burned there!” - Fet exclaims in the poem “When you read the painful lines...”. It seems to me that Fet could have said the same thing about the torment of love experiences. But once “burned out”, that is, survived true love Fet, however, is not devastated, and all his life he retained in his memory the freshness of these feelings and the image of his beloved.
Once Fet was asked how, at his age, he could write about love so youthfully? He answered: from memory. Blagoy says that “Fet is distinguished by an exceptionally strong poetic memory,” and cites the example of the poem “On the Swing,” the impetus for writing which was a memory 40 years ago (the poem was written in 1890). “Forty years ago I was swinging on a swing with a girl, standing on a board, and her dress was flapping in the wind,” Fet writes in a letter to Polonsky. Such a “sound detail” (Blagoy), like a dress that “crackled in the wind,” is most memorable for the poet-musician. All of Fet's poetry is built on sounds, modulations and sound images. Turgenev said about Fet that he expected a poem from him, the last lines of which would have to be conveyed only by the silent movement of his lips. A striking example is the poem “Whisper, timid breathing...”, which is built on only nouns and adjectives, without a single verb. Commas and Exclamation point They also convey the splendor and tension of the moment with realistic specificity. This poem creates a point image, which, when viewed closely, gives chaos, “a series of magical” “changes” that are elusive to the human eye, and in the distance - an accurate picture. Fet, as an impressionist, bases his poetry, and in particular the description of love experiences and memories, on the direct recording of his subjective observations and impressions. Condensation, but not mixing of colorful strokes, as in Monet’s paintings, gives the description of love experiences a culmination and extreme clarity to the image of the beloved. What is she like?
“I know your passion for hair,” Grigoriev tells Fet about his story “Cactus.” This passion is manifested more than once in Fetov’s poems: “I love to look at your long lock of hair,” “golden fleece of curls,” “braids running in a heavy knot,” “a strand of fluffy hair,” and “braids with a ribbon on both sides.” Although these descriptions are somewhat general character, nevertheless, a fairly clear image of a beautiful girl is created. Fet describes her eyes a little differently. Either this is a “radiant gaze”, or “motionless eyes, crazy eyes” (similar to Tyutchev’s poem “I knew my eyes, oh these eyes”). “Your gaze is open and fearless,” Fet writes, and in the same poem he talks about “ fine lines ideal." For Fet, his beloved is a moral judge and ideal. She has great power over the poet throughout his life, although already in 1850, shortly after the death of Lazic, Fet writes: "My ideal world was destroyed long ago." The influence of his beloved woman on the poet is also felt in the poem “For a long time I dreamed of the cries of your sobs.” The poet calls himself “an unfortunate executioner,” he acutely feels his guilt for the death of his beloved, and the punishment for this was “two drops of tears” and “cold trembling”, which he “I endured sleepless nights forever.” This poem is painted in Tyutchev’s tones and incorporates Tyutchev’s dramatism.
The biographies of these two poets are similar in many ways - they both experienced the death of their beloved woman, and the immense longing for what was lost provided food for the creation of beautiful love poems. In the case of Fet, this fact seems most strange - how can you first ruin a girl, and then write sublime poems about her all your life? It seems to me that the loss made such a deep impression on Fet that the poet experienced a kind of catharsis, and the result of this suffering was Fet’s genius - he was admitted to the high sphere of poetry, his entire description of his favorite experiences and the feeling of the tragedy of love affects the reader so strongly because that Fet himself experienced them, and his creative genius put these experiences into poetic form. Only the power of poetry was able to convey them, following Tyutchev’s saying: a thought expressed is a lie. Fet himself repeatedly speaks about the power of poetry: “How rich I am in crazy verses.”
Fet's love lyrics make it possible to penetrate deeper into his general philosophical and, accordingly, aesthetic views, as Blagoy says, “into his solution to the fundamental question of the relationship between art and reality.” Love, like poetry, according to Fet, refers to another, other world, which is dear and close to Fet. In his poems about love, Fet acted “not as a militant preacher of pure art in opposition to the sixties, but created his own and self-valuable world” (Blagoy). And this world is filled with true experiences, the poet’s spiritual aspirations and a deep sense of hope, reflected in the poet’s love lyrics.