(1 option)
Yuri Pavlovich Kazakov is a prose writer of the second half of the twentieth century. The writer has a special ability: to write about typical things, but to characterize them from an unusual side.
In the story “Quiet Morning” by Yuri Kazakov, two boys are depicted as the main characters: a city dweller, Volodya, and a simple village boy, Yashka. Yashka is a typical resident rural areas, a connoisseur of real fishing. The portrait of the hero is remarkable: old pants and shirt, bare feet, dirty fingers. The boy was contemptuous of the city Volodya’s question: “Isn’t it early?” The city boy is the complete opposite of Yashka: he was going fishing in boots. The guys quarreled over a trifle, so they are angry with each other. But Volodya has a softer and more compliant character, so he does not ask unnecessary questions, fearing to anger Yashka even more. Gradually, thanks to Volodya’s complete delight from the early morning walk, the tension between the boys subsides, and they begin to have a lively conversation about fishing. Yashka readily talks about the peculiarities of the bite at dawn, about the fish that live in the local reservoirs, explains the sounds heard in the forest, and talks about the river.
Future fishing brings the boys together. Nature seems to be in tune with the mood of the heroes: it attracts with its beauty. Volodya, like Yashka, begins to feel nature; the gloomy pool of the river frightens with its depth. After some time, Volodya fell into the water. Yashka, seeing that his partner is drowning, makes the only right decision: he throws himself into cold water to save Volodya: “Feeling that he was about to suffocate, Yashka rushed to Volodya, grabbed him by the shirt, closed his eyes, hastily pulled Volodya’s body up... Without letting go of Volodya’s shirt, he began to push him towards the shore. It was hard to swim. Feeling the bottom under his feet, Yashka laid Volodya with his chest on the shore, his face in the grass, climbed out heavily and pulled Volodya out.” Yashka’s tears at the end of the story indicate the enormous relief that the hero experienced. Seeing Volodya’s smile, Yashka “roared, roared bitterly, inconsolably, shaking with his whole body, choking and ashamed of his tears, he cried from joy, from the fear he experienced, from the fact that everything ended well...”.
Both heroes from Yu. Kazakov’s story “Quiet Morning” showed themselves with the best side, and Yashka saved his friend like a real hero.
(Option 2).
The story has two main characters - Yashka and Volodya. Yashka is a village boy, completely independent, knows the fishing spots well, and has gone fishing for blackbirds many times. Volodya is a Moscow schoolboy who has never held a fishing rod in his hands or caught a bird.
The guys got up early to go fishing. Yashka got up two hours earlier, dug up worms and woke up Volodya. He, although he was looking forward to this morning, almost ruined the fishing for both Yashka and himself, since he had not yet woken up.
Guys look at the little things in life differently. Yashka despises the Muscovite for going fishing in boots: “You should have gotten involved with this Muscovite, who probably has never even seen a fish, goes fishing in boots!..” For Volodya, walking barefoot means showing off: “Just think, it’s very important to go barefoot! Imagine what! The feeling of resentment does not prevent Volodya from being ashamed of his awkwardness and admiring Yashka’s tan, clothes, and gait. And Yashkin’s anger was softened by Volodya’s confession that he had never fished. They have just nearly gotten into a fight, and are immediately discussing with delight the prospects for future night fishing. Not embarrassed by his ignorance, a Muscovite asks about everything that is interesting and incomprehensible to him. Yashka answers in detail, without wondering or pushing. Volodya enjoys the morning: “How nice and easy it is to breathe, how I want to run along this soft road, rush at full speed, jumping and squealing with delight!” Finally we came to a fishing spot, a pool, in which none of the locals swim, because it is deep, the water is cold, and Mishka Kayunenok lies that there are octopuses there. Volodya clumsily casts, and the fishing line clings to the willow. Yashka, swearing at the inept Muscovite, lost the fish himself. At first, Volodya doesn’t so much catch as he watches Yashka’s struggle with a large bream, his “heart was pounding furiously,” and then, unable to maintain balance in the fight with his fish, he falls into the pool. Yashka first swears (“You damn klutz!”), then takes a clod of earth to throw in the face of the incompetent as soon as he emerges, but in the next moment he realizes that Volodya is drowning.
Volodya’s rescue is Yasha’s merit; he would not have gotten out on his own, and at some point Yasha no longer believed that Volodya would survive.
This scene, of course, characterizes Yasha; here he becomes the main character of the story. At first, Yasha automatically backed away from the water, firstly, so as not to fall himself, and secondly, because he remembered the stories about the octopus. Then, “spurred on by terrible sounds,” he rushed to the village for help, but stopped, “as if he had stumbled, feeling that there was no way to escape,” and there was no one to rely on. When Yashka returned, Volodya had already disappeared under the water. Overcoming himself, Yasha “screamed and rolled down,” “jumped into the water, swam up to Volodya in two strokes, grabbed his hand.” Volodya grabbed onto Yasha and almost drowned him. Tearing the Muscovite away from him, Yasha swam away and caught his breath. Everything around was so beautiful, the morning was so quiet, “and yet just now, very recently, a terrible thing happened - a man had just drowned, and it was he, Yashka, who hit and drowned him.”
The author does not describe Yasha’s feelings at this moment. Volodya is no longer visible, and Yashka has to dive to find him. There is no description of feelings here, there is only a description of actions: “Yashka blinked, let go of the sedge, moved his shoulders under his wet shirt, took a deep breath intermittently and dived.” It turned out that Volodya got his foot caught in the tall grass. Yasha, gasping for breath, swam out himself and pulled Volodya out. But the trials didn't end there. Yashka started artificial respiration, but it didn’t help. It became even more terrible, because everything turned out to be in vain: “I should run away somewhere, hide, just so as not to see this indifferent, cold face.” You can't run away, there's no one to help. And the boy acts again, does everything he can and knows: “Yashka sobbed in horror, jumped up, grabbed Volodya by the legs, pulled him up as far as he could and, turning purple from the strain, began to shake him.” Water gushed from Volodya’s mouth when the exhausted Yasha wanted to “drop everything and run wherever his eyes look.” Not every adult would force himself to do what he could for this a short time Yashka. And again Yashka reacts to the situation in stages: at first “he loved no one now more than Volodya,” and then tears flowed from his eyes. Both guys came to their senses, both in shock from what happened. The only thing that Volodya can now, in horror and surprise, say: “How I’m drowning!”, and Yashka cries and gets angry like a child: “Yes... You’re drowning... and I’m saving you- ah..."
And all this happened to them in a short time, in the morning. During these few hours, especially during those few minutes that passed in the struggle for Volodya’s life, we learned what kind of person Yasha would be when he grew up, how he would behave in critical situation.
Other works on the topic:
Yesterday morning was quiet, warm and cloudless. On such days, you especially don’t want to go to school, because when you sit by the window, it is impossible to listen to the teacher’s explanations. The screams of kids on the street, the singing of birds in the trees, the proximity of the holidays do not allow you to concentrate on your lessons - I would take it and jump right out the window onto the green grass, into the lilac bushes.
I. I. Shishkin is one of the most outstanding Russian landscape artists of the 19th century. He transferred his inexpressible love for his native nature to his canvases, glorifying in each picture the beauty and grandeur of the endless Russian fields and forests, admiring not only the mighty I.
The story by Viktor Petrovich Astafiev “The Photograph in which I am not” depicts the life of people in the thirties. Everyone lives as best they can. The life of the villagers is very simple. At school there are no desks, no benches, no notebooks, no textbooks, no pencils.
(Option 1) Since ancient times, Russian nature has attracted prose writers and poets with its inspired, simple beauty. Writers use landscape sketches in their works of art, making them more poetic and expressive.
A.P. Chekhov in the early period of his work creates short stories, humorous sketches describing one incident or incident in the life of the characters. Making his own works funny, the writer uses various humorous techniques. For example, in the story by A.P. In Chekhov, an ordinary situation acquires a comic effect due to the special humorous techniques used by the author.
Since ancient times, healing and unchanging power has entered into everyone who greets Easter morning. The church bells do not ring, but sing to the whole world: “Christ is risen!” People go to the church (after all, they were waiting for this news all night) and word of mouth is passed on: “Christ is risen! Truly risen!”
Description essay The sea... I love the sea very much. It is never monotonous or uninteresting, because every day, even every minute it is different. Mysterious, fickle, immense - it excites the soul and does not leave the heart indifferent. One day it is quiet and calm, like a large mirror, cold and transparent.
Winter. The kingdom of snow and frost. One of his most magnificent paintings is this winter morning. How good it is to wake up in the morning and feel the beginning of a new thing winter day! You wake up, jump out of your bed, run to the window - and your eyes are immediately blinded by an ocean of crystal-clear snow. It, like an expensive fabric, shines and shimmers under the meager rays of the winter sun.
“Golden Rose” and literary work in the story “Precious Dust” Author: Paustovsky K.G. It would seem that “Precious Dust” is a story about simple human happiness. But this story has another interpretation. In his story, Paustovsky associates golden rose with an art form - literature.
Analysis of Fet's poem "Whisper, timid breathing"
The image of Chelkash in Gorky's story "Chelkash" Author: Gorky M. Chelkash... Beggar. He walked barefoot, in old, worn-out pants, without a hat, in a dirty cotton shirt with a torn collar. He was a person of no use to anyone, he had no friends, roughly speaking, he was the dregs of society. He was not interested in tomorrow, he lived for today: “As long as it’s good today, and for tomorrow, we’ll think about it tomorrow.”
The problem of love in the story by I.A. Bunin "Dark Alleys" Author: Bunin I.A. Love is the brightest feeling, but, unfortunately, it often brings us suffering. Unrequited love, separation of people in love or obstacles that prevent them from being together. For example, the difference in social status. It is this problem that is addressed in the work of I.A. Bunin. "Dark alleys".
My thoughts on M.A. Sholokhov’s story “The Fate of a Man” Author: Sholokhov M.A. I recently read M.A. Sholokhov’s story “The Fate of a Man.” In general, I never liked works on military theme, so I opened the beginning of the story reluctantly. But literally after a couple of pages I was already piqued with interest. I really liked the style and style of the writer.
In the story "Tosca" it seems that nothing happens. Cab driver Iona Potapov is covered with snow in the dull winter twilight. He is waiting for his passengers. In fact, Jonah is no longer waiting for anyone or anything.
(Option 1) My dear, beloved Volodya, it was so difficult to decide to write you this letter and be the first to say some words... But I can’t keep all that tenderness, that crazy affection for you from you, so you’ll have to listen to me.
Painting by T.N. Yablonskaya "Morning" Author: Miscellaneous The painting by T. N. Yablonskaya "Morning" brings cheerfulness and genuine joy of welcoming a new day. The bright rays of an early spring morning burst into the room through the wide open balcony doors. "Hello new day!" - with these words the girl jumps out of bed towards the sun.
The story was written in 1967, after V.T. Shalamov left the camp. The author spent a total of eighteen years in prison, and all of his work is devoted to the theme of camp life.
Text Text Graphics Research Odoratory images and their role in Chekhov’s fiction Graphics Table of contents: Table of contents: Introduction……………………………………………………….…
Author: Tolstoy Lev Nikolaevich. In the story “Cow,” the boy Misha threw fragments of a glass he broke into the cow’s swill and caused real trouble. The cow had to be slaughtered, and the family was left without milk. Grandma had to get hired as a nanny to earn money for a new cow. The boy is so tormented by his conscience that he does not get off the stove even when everyone is eating jelly from a cow's head.
A true doctor is not one who has learned and deeply studied medicine, but one who is aware of his duty to people. We all owe a great and unpayable debt to doctors; we bow our knees before their courage, endless kindness and tenderness.
The relationship between man and the world, true and imaginary values, the meaning of human existence - these are the questions that concern the author. Ivan Alekseevich not only reflects on numerous problems himself, but not a single reader.
After the liberation of Kerch, the government awarded the young intelligence pioneer Volodya Dubinin the Order of the Red Banner. In the list of awarded partisans, he comes second - next to the deceased detachment commander Alexander Fedorovich Zyabrev.
Anatoly Aleksandrovich Alekseev is a Soviet actor who played small roles in more than thirty films. Among the largest and most striking acting works are Volodya (“The Guy from Our Town”) and Timofey (“Heroes of Shipka”). IN last years lived and worked in Crimea. He died and was buried in Yalta in the late 80s of the 20th century.
Valentin Teitelboim Volosky (Spanish Valentн Teitelboim Volosky, pseudonym Volodya Teitelboim (Spanish Volodia); March 17, 1916, Chillan - January 31, 2008, Santiago) - Chilean writer and poet, public and political figure, underground worker, general secretary Communist Party of Chile.
Brief review about V. Shalamov's story "Someone else's bread" The story was written in 1967, after V. T. Shalamov left the camp. The author spent a total of eighteen years in prison, and all of his work is devoted to the theme of camp life.
Among Kazakov's early works, a special place is occupied by the stories Teddy (1956) and Arcturus the Hound Dog (1957), the main characters of which are animals - Teddy the bear who escaped from the circus and the blind hunting dog Arcturus.
(1 option)
Yuri Pavlovich Kazakov is a prose writer of the second half of the twentieth century. The writer has a special ability: to write about typical things, but to characterize them from an unusual side.
In the story “Quiet Morning” by Yuri Kazakov, two boys are depicted as the main characters: a city dweller, Volodya, and a simple village boy, Yashka. Yashka is a typical resident of the countryside, an expert in real fishing. The portrait of the hero is remarkable: old pants and shirt, bare feet, dirty fingers. The boy was contemptuous of the city Volodya’s question: “Isn’t it early?” The city boy is the complete opposite of Yashka: he was going fishing in boots. The guys quarreled over a trifle, so they are angry with each other. But Volodya has a softer and more compliant character, so he does not ask unnecessary questions, fearing to anger Yashka even more. Gradually, thanks to Volodya’s complete delight from the early morning walk, the tension between the boys subsides, and they begin to have a lively conversation about fishing. Yashka readily talks about the peculiarities of the bite at dawn, about the fish that live in the local reservoirs, explains the sounds heard in the forest, and talks about the river.
Future fishing brings the boys together. Nature seems to be in tune with the mood of the heroes: it attracts with its beauty. Volodya, like Yashka, begins to feel nature; the gloomy pool of the river frightens with its depth. After some time, Volodya fell into the water. Yashka, seeing that his partner is drowning, makes the only right decision: he rushes into the cold water to save Volodya: “Feeling that he was about to suffocate, Yashka rushed to Volodya, grabbed him by the shirt, closed his eyes, hastily pulled Volodya’s body up... Without letting go of Volodya’s shirt , he began to push him towards the shore. It was hard to swim. Feeling the bottom under his feet, Yashka laid Volodya with his chest on the shore, his face in the grass, climbed out heavily and pulled Volodya out.” Yashka’s tears at the end of the story indicate the enormous relief that the hero experienced. Seeing Volodya’s smile, Yashka “roared, roared bitterly, inconsolably, shaking with his whole body, choking and ashamed of his tears, he cried from joy, from the fear he experienced, from the fact that everything ended well...”.
Both heroes from Y. Kazakov’s story “Quiet Morning” showed their best side, and Yashka saved his friend like a real hero.
(Option 2) .
The story has two main characters - Yashka and Volodya. Yashka is a village boy, completely independent, knows the fishing spots well, and has gone fishing for blackbirds many times. Volodya is a Moscow schoolboy who has never held a fishing rod in his hands or caught a bird.
The guys got up early to go fishing. Yashka got up two hours earlier, dug up worms and woke up Volodya. He, although he was looking forward to this morning, almost ruined the fishing for both Yashka and himself, since he had not yet woken up.
Guys look at the little things in life differently. Yashka despises the Muscovite for going fishing in boots: “You should have gotten involved with this Muscovite, who probably has never even seen a fish, goes fishing in boots!..” For Volodya, walking barefoot means showing off: “Just think, it’s very important to go barefoot! Imagine what! The feeling of resentment does not prevent Volodya from being ashamed of his awkwardness and admiring Yashka’s tan, clothes, and gait. And Yashkin’s anger was softened by Volodya’s confession that he had never fished. They have just nearly gotten into a fight, and are immediately discussing with delight the prospects for future night fishing. Not embarrassed by his ignorance, a Muscovite asks about everything that is interesting and incomprehensible to him. Yashka answers in detail, without wondering or pushing. Volodya enjoys the morning: “How nice and easy it is to breathe, how I want to run along this soft road, rush at full speed, jumping and squealing with delight!” Finally we came to a fishing spot, a pool, in which none of the locals swim, because it is deep, the water is cold, and Mishka Kayunenok lies that there are octopuses there. Volodya clumsily casts, and the fishing line clings to the willow. Yashka, swearing at the inept Muscovite, lost the fish himself. At first, Volodya doesn’t so much catch as he watches Yashka’s struggle with a large bream, his “heart was pounding furiously,” and then, unable to maintain balance in the fight with his fish, he falls into the pool. Yashka first swears (“You damn klutz!”), then takes a clod of earth to throw in the face of the incompetent as soon as he emerges, but in the next moment he realizes that Volodya is drowning.
Volodya’s rescue is Yasha’s merit; he would not have gotten out on his own, and at some point Yasha no longer believed that Volodya would survive.
This scene, of course, characterizes Yasha; here he becomes the main character of the story. At first, Yasha automatically backed away from the water, firstly, so as not to fall himself, and secondly, because he remembered the stories about the octopus. Then, “spurred on by terrible sounds,” he rushed to the village for help, but stopped, “as if he had stumbled, feeling that there was no way to escape,” and there was no one to rely on. When Yashka returned, Volodya had already disappeared under the water. Overcoming himself, Yasha “screamed and rolled down,” “jumped into the water, swam up to Volodya in two strokes, grabbed his hand.” Volodya grabbed onto Yasha and almost drowned him. Tearing the Muscovite away from him, Yasha swam away and caught his breath. Everything around was so beautiful, the morning was so quiet, “and yet just now, very recently, a terrible thing happened - a man had just drowned, and it was he, Yashka, who hit and drowned him.”
The author does not describe Yasha’s feelings at this moment. Volodya is no longer visible, and Yashka has to dive to find him. There is no description of feelings here, there is only a description of actions: “Yashka blinked, let go of the sedge, moved his shoulders under his wet shirt, took a deep breath intermittently and dived.” It turned out that Volodya got his foot caught in the tall grass. Yasha, gasping for breath, swam out himself and pulled Volodya out. But the trials didn't end there. Yashka started artificial respiration, but it didn’t help. It became even more terrible, because everything turned out to be in vain: “I should run away somewhere, hide, just so as not to see this indifferent, cold face.” You can't run away, there's no one to help. And the boy acts again, does everything he can and knows: “Yashka sobbed in horror, jumped up, grabbed Volodya by the legs, pulled him up as far as he could and, turning purple from the strain, began to shake him.” Water gushed from Volodya’s mouth when the exhausted Yasha wanted to “drop everything and run wherever his eyes look.” Not every adult would force himself to do what Yashka was able to do in this short time. And again Yashka reacts to the situation in stages: at first “he loved no one now more than Volodya,” and then tears flowed from his eyes. Both guys came to their senses, both in shock from what happened. The only thing that Volodya can now, in horror and surprise, say: “How I’m drowning!”, and Yashka cries and gets angry like a child: “Yes... You’re drowning... and I’m saving you- ah..."
And all this happened to them in a short time, in the morning. During these few hours, especially during those few minutes that passed in the struggle for Volodya’s life, we learned what kind of person Yasha would be when he grew up, how he would behave in a critical situation.
(1 option)
Yuri Pavlovich Kazakov is a prose writer of the second half of the twentieth century. The writer has a special ability: to write about typical things, but to characterize them from an unusual side.
In the story “Quiet Morning” by Yuri Kazakov, two boys are depicted as the main characters: a city dweller, Volodya, and a simple village boy, Yashka. Yashka is a typical resident of the countryside, an expert in real fishing. The portrait of the hero is remarkable: old pants and shirt, bare feet, dirty fingers. The boy was contemptuous of the city Volodya’s question: “Isn’t it early?” The city boy is the complete opposite of Yashka: he was going fishing in boots. The guys quarreled over a trifle, so they are angry with each other. But Volodya has a softer and more compliant character, so he does not ask unnecessary questions, fearing to anger Yashka even more. Gradually, thanks to Volodya’s complete delight from the early morning walk, the tension between the boys subsides, and they begin to have a lively conversation about fishing. Yashka readily talks about the peculiarities of the bite at dawn, about the fish that live in the local reservoirs, explains the sounds heard in the forest, and talks about the river.
Future fishing brings the boys together. Nature seems to be in tune with the mood of the heroes: it attracts with its beauty. Volodya, like Yashka, begins to feel nature; the gloomy pool of the river frightens with its depth. After some time, Volodya fell into the water. Yashka, seeing that his partner is drowning, makes the only right decision: he rushes into the cold water to save Volodya: “Feeling that he was about to suffocate, Yashka rushed to Volodya, grabbed him by the shirt, closed his eyes, hastily pulled Volodya’s body up... Without letting go of Volodya’s shirt , he began to push him towards the shore. It was hard to swim. Feeling the bottom under his feet, Yashka laid Volodya with his chest on the shore, his face in the grass, climbed out heavily and pulled Volodya out.” Yashka’s tears at the end of the story indicate the enormous relief that the hero experienced. Seeing Volodya’s smile, Yashka “roared, roared bitterly, inconsolably, shaking with his whole body, choking and ashamed of his tears, he cried from joy, from the fear he experienced, from the fact that everything ended well...”.
Both heroes from Y. Kazakov’s story “Quiet Morning” showed their best side, and Yashka saved his friend like a real hero.
(Option 2).
The story has two main characters - Yashka and Volodya. Yashka is a village boy, completely independent, knows the fishing spots well, and has gone fishing for blackbirds many times. Volodya is a Moscow schoolboy who has never held a fishing rod in his hands or caught a bird.
The guys got up early to go fishing. Yashka got up two hours earlier, dug up worms and woke up Volodya. He, although he was looking forward to this morning, almost ruined the fishing for both Yashka and himself, since he had not yet woken up.
Guys look at the little things in life differently. Yashka despises the Muscovite for going fishing in boots: “You should have gotten involved with this Muscovite, who probably has never even seen a fish, goes fishing in boots!..” For Volodya, walking barefoot means showing off: “Just think, it’s very important to go barefoot! Imagine what! The feeling of resentment does not prevent Volodya from being ashamed of his awkwardness and admiring Yashka’s tan, clothes, and gait. And Yashkin’s anger was softened by Volodya’s confession that he had never fished. They have just nearly gotten into a fight, and are immediately discussing with delight the prospects for future night fishing. Not embarrassed by his ignorance, a Muscovite asks about everything that is interesting and incomprehensible to him. Yashka answers in detail, without wondering or pushing. Volodya enjoys the morning: “How nice and easy it is to breathe, how I want to run along this soft road, rush at full speed, jumping and squealing with delight!” Finally we came to a fishing spot, a pool, in which none of the locals swim, because it is deep, the water is cold, and Mishka Kayunenok lies that there are octopuses there. Volodya clumsily casts, and the fishing line clings to the willow. Yashka, swearing at the inept Muscovite, lost the fish himself. At first, Volodya doesn’t so much catch as he watches Yashka’s struggle with a large bream, his “heart was pounding furiously,” and then, unable to maintain balance in the fight with his fish, he falls into the pool. Yashka first swears (“You damn klutz!”), then takes a clod of earth to throw in the face of the incompetent as soon as he emerges, but in the next moment he realizes that Volodya is drowning.
Volodya’s rescue is Yasha’s merit; he would not have gotten out on his own, and at some point Yasha no longer believed that Volodya would survive.
This scene, of course, characterizes Yasha; here he becomes the main character of the story. At first, Yasha automatically backed away from the water, firstly, so as not to fall himself, and secondly, because he remembered the stories about the octopus. Then, “spurred on by terrible sounds,” he rushed to the village for help, but stopped, “as if he had stumbled, feeling that there was no way to escape,” and there was no one to rely on. When Yashka returned, Volodya had already disappeared under the water. Overcoming himself, Yasha “screamed and rolled down,” “jumped into the water, swam up to Volodya in two strokes, grabbed his hand.” Volodya grabbed onto Yasha and almost drowned him. Tearing the Muscovite away from him, Yasha swam away and caught his breath. Everything around was so beautiful, the morning was so quiet, “and yet just now, very recently, a terrible thing happened - a man had just drowned, and it was he, Yashka, who hit and drowned him.”
The author does not describe Yasha’s feelings at this moment. Volodya is no longer visible, and Yashka has to dive to find him. There is no description of feelings here, there is only a description of actions: “Yashka blinked, let go of the sedge, moved his shoulders under his wet shirt, took a deep breath intermittently and dived.” It turned out that Volodya got his foot caught in the tall grass. Yasha, gasping for breath, swam out himself and pulled Volodya out. But the trials didn't end there. Yashka started artificial respiration, but it didn’t help. It became even more terrible, because everything turned out to be in vain: “I should run away somewhere, hide, just so as not to see this indifferent, cold face.” You can't run away, there's no one to help. And the boy acts again, does everything he can and knows: “Yashka sobbed in horror, jumped up, grabbed Volodya by the legs, pulled him up as far as he could and, turning purple from the strain, began to shake him.” Water gushed from Volodya’s mouth when the exhausted Yasha wanted to “drop everything and run wherever his eyes look.” Not every adult would force himself to do what Yashka was able to do in this short time. And again Yashka reacts to the situation in stages: at first “he loved no one now more than Volodya,” and then tears flowed from his eyes. Both guys came to their senses, both in shock from what happened. The only thing that Volodya can now, in horror and surprise, say: “How I’m drowning!”, and Yashka cries and gets angry like a child: “Yes... You’re drowning... and I’m saving you- ah..."
One of the main characters of the work is a boy named Volodya, presented by the writer in the image of a typical city dweller who was visiting the village during the summer holidays.
Being a true city dweller, not knowing the wisdom of simple village life, the curious boy enthusiastically gets acquainted with the various subtleties inherent in the countryside.
In the village, Volodya makes a friend called Yashka, an ordinary barefoot village boy with always dirty hands, wearing old, shabby clothes.
Yashka, being the best fishing expert among the village children, invites Volodya to go fishing in the morning, promising an unforgettable experience from the walk.
Volodya happily agrees, since he has never participated in such an interesting event in his life.
One day early in the morning, Yashka runs in to pick up a friend and discovers that Volodya can’t wake up. The awakened boy quickly begins to get ready and put his shoes on his feet. Looking at this action, Yashka laughs merrily at Volodya and, laughing, tells his friend that in the summer all the villagers walk barefoot. Confused Volodya, due to his soft and compliant nature, decides not to be offended by Yashka, and the friends set off on their journey.
Moving towards the reservoir, Volodya listens with interest to Yashka’s story about the forest sounds he heard, about the river inhabitants and the peculiarities of catching them, about the uniqueness of the bite at dawn.
Feelings of upcoming successful fishing, as well as beauty surrounding nature, bring the boys together, who settle down with fishing rods near a dark pool, famous among local residents for various legends, in which swimming is prohibited.
The moment Volodya's hook twitches, the boy loses his balance and falls into the cold water. Yashka, seeing his friend drowning, thinks of running to the village for help, but decides to jump into the water to save Volodya. Having with difficulty pulled his frightened friend ashore, Yashka experiences great relief, crying bitterly with joy, fear for Volodya, and a little ashamed of his tears.
Narrating an episode from the life of two friends, the writer reveals in the images of boys the traits of real men who are always ready to provide support and help.
Several interesting essays
- Essay based on Popovich’s painting They didn’t take me fishing (description)
O. Popovich is one of the artists closest to the Russian spirit. In his paintings he depicts those familiar situations that everyone has encountered more than once in life.
- Ostrovsky
Works on the works of Ostrovsky
- Characteristics of Platov from the story Lefty, essay 6th grade
Platov is an important character in N. S. Leskov’s work “Lefty”. This is a brave Cossack who accompanies the Tsar on his trips.
- Analysis of the story Cow by Platonov
The work is a lyrical short story that examines the relationship between man and the animal world, and is one of the writer’s most striking stories.
Spring is the most extraordinary time of the year. In spring nature comes to life. In spring the snow melts and the first snow appears green grass. In spring you can hear the birds singing. In spring, the sun shines and your mood immediately improves.
The story has two main characters - Yashka and Volodya. Yashka – country boy, quite independent, knowledgeable about fishing spots, who went to blackbirds many times. Volodya – a Moscow schoolboy who had never held a fishing rod in his hands or caught a bird.
The guys got up early to go fishing. Yashka got up two hours earlier, dug up worms and woke up Volodya. He, although he was looking forward to this morning, almost ruined the fishing for both Yashka and himself, since he had not yet woken up.
Guys look at the little things in life differently. Yashka despises Muscovite for the fact that he goes fishing in boots: “You should have gotten involved with this Muscovite, who, probably, has never even seen a fish, goes fishing in boots!..” For Volodya, walking barefoot means showing off: “Just think, It's important to go barefoot! Imagine what! The feeling of resentment does not interfere with Volodya be ashamed of your awkwardness and admire Yashka’s tan, clothes, and gait. And Yashkin’s anger was softened by Volodya’s confession that he had never fished. They have just nearly gotten into a fight, and are immediately discussing with delight the prospects for future night fishing. Don't be ashamed of your ignorance, a Muscovite asks about everything that is interesting and incomprehensible to him. Yashka answers in detail, without asking or pushing. Volodya enjoys the morning: “How nice and easy it is to breathe, how you want to run along this soft road, rush at full speed, jumping and squealing with delight!” Finally we came to a fishing spot, a pool, in which none of the locals swim, because it is deep, the water is cold, and Mishka Kayunenok lies that there are octopuses there. Volodya clumsily casts, and the fishing line clings to the willow. Yashka, swearing at the inept Muscovite, lost the fish himself. At first Volodya doesn’t catch so much as watching Yashka fight with a big bream, his “heart was pounding furiously,” and then, unable to maintain balance in the fight with his fish, he falls into the pool. Yashka first he swears(“Damn klutz!”), then he takes a clod of earth to throw it in the face of the incompetent as soon as he emerges, but the very next moment he realizes that Volodya is drowning.
Volodya’s salvation is the merit of Yasha, he would not have gotten out on his own, and at some point Yasha no longer believed that Volodya would survive.
This scene, of course, characterizes Yasha; here he becomes the main character of the story. At first, Yasha automatically backed away from the water, firstly, so as not to fall himself, and secondly, because he remembered the stories about the octopus. Then, “spurred on by terrible sounds,” he rushed to the village for help, but stopped, “as if he had stumbled, feeling that there was no way to escape,” and there was no one to rely on. When Yashka returned, Volodya had already disappeared under the water. Overcoming himself, Yasha “screamed and rolled down,” “jumped into the water, swam up to Volodya in two strokes, grabbed his hand.” Volodya grabbed onto Yasha and almost drowned him. Tearing the Muscovite away from him, Yasha swam away and caught his breath. Everything around was so beautiful, the morning was so quiet, “and yet just now, very recently, a terrible thing happened - a man had just drowned, and it was he, Yashka, who hit and drowned him.”
The author does not describe Yasha’s feelings at this moment. Volodya is no longer visible, and Yashka has to dive to find him. There is no description of feelings here, there is only a description of actions: “Yashka blinked, let go of the sedge, moved his shoulders under his wet shirt, took a deep breath intermittently and dived.” It turned out that Volodya got his foot caught in the tall grass. Yasha, gasping for breath, swam out himself and pulled Volodya out. But the trials didn't end there. Yashka started artificial respiration, but it didn’t help. It became even more terrible, because everything turned out to be in vain: “I should run away somewhere, hide, just so as not to see this indifferent, cold face.” You can't run away, there's no one to help. And the boy acts again, does everything he can and knows: “Yashka sobbed in horror, jumped up, grabbed Volodya by the legs, pulled him up as far as he could and, turning purple from the strain, began to shake him.” Water gushed from Volodya’s mouth when the exhausted Yasha wanted to “drop everything and run wherever his eyes look.” Not every adult would force himself to do what Yashka was able to do in this short time. And again Yashka reacts to the situation in stages: first, “ he loved no one now more than Volodya" and then tears flowed from his eyes. Both guys came to their senses, both in shock from what happened. The only thing that Volodya can now, in horror and surprise, say: “How I’m drowning!”, and Yashka cries and gets angry like a child: “Yes... You’re drowning... and I’m saving you- ah..."
And all this happened to them in a short time, in the morning. During these few hours, especially during those few minutes that passed in the struggle for Volodya’s life, we learned what kind of person Yasha would be when he grew up, how he would behave in a critical situation.
COMPARATIVE CHARACTERISTICS OF THE HEROES OF THE STORY
Yu, P. KAZAKOVA “Quiet morning”
| Yashka | Volodya |
| GENERAL: age, love of fishing, interest in scary stories to desperate actions |
|
| DIFFERENCES |
|
| Villager | City dweller, came from Moscow |
| Independent, knowledgeable about fishing spots | A schoolboy who has never held a fishing rod or caught a bird |
| At first he despises the Muscovite | Ashamed of his awkwardness |
| Answers in detail, does not ask questions | Not ashamed of his ignorance |
| Dexterity | Clumsiness |
| Cockiness | Peacefulness |
| Appearance |
|
| mocking face Tanned, “special gait”, spits "patched pants", barefoot | I'm used to comfort. Dressed like a city guy Blushes in response to jokes, ready to cry Doesn’t show offence, but has a “hateful” look |
| Speech |
|
| At first he speaks with disdain, evilly ironic, sarcastic, laughs hoarsely | At first he suppresses angry responses, then he “exhaled enthusiastically” |
| Fishing behavior |
|
| Determination Deliberately scares a friend Excitement while fishing Ashamed of his awkwardness Superstitiously believes that Volodya was grabbed by an octopus | Carelessness Fun, excitement "tense-suffering expression" on the face |
| Psychological state in moments of danger and after its successful completion |
|
| He coped with the fear, does artificial respiration, lifts him up and shakes him. Lost all my strength in the struggle for life. He sobs from the horror of death, is exhausted and has lost heart. “He loved no one now more than Volodya,” roared | Almost drowned Yasha when he was drowning. He is horrified and surprised, “How I drowned!” Frightened, pale face |