The poem "I enter dark temples..." Perception, interpretation, evaluation
The poem “I enter dark temples...” was created by A.A. Blok in 1902. It was written under the impression of the poet’s meeting with Lyuba Mendeleeva in St. Isaac's Cathedral. The poem was included in the “Cycle of Poems about To the beautiful lady" In his youth, the poet was fascinated by the philosophical teachings of V. Solovyov. According to this teaching, the world, mired in sins, will be saved and revived to life by a certain Divine principle, embodying the Eternal Femininity. Blok endowed this image with ideal features and gave it various names: Beautiful Lady, Majestic Eternal Wife, Kupina. He imagined himself as a knight who had taken a vow of service to the Beautiful Lady. As part of these creative searches, this work was created.
Compositionally, the poem develops the same theme - the hero’s wonderful dream; his date with the Beautiful Lady is described. At the beginning of the poem, some signs of reality are given: “dark temples”, “poor ritual”. All these images precede the hero’s date with the Beautiful Lady. And it’s not for nothing that it happens in the temple. This is a world in which love and harmony, kindness, warmth and perfection always reign. Thus, the image of the heroine in the mind of the lyrical hero is equated to the Divine principle. And gradually the image of the hero also becomes clearer for the reader. The second stanza becomes a kind of culmination of the theme of the date:
In the shadow of a high column I tremble from the creaking of the doors.
And he looks into my face, illuminated,
Only an image, only a dream about Her.
The reader here understands that the Beautiful Lady is just the hero’s dream. However, there is no bitterness or regret in his soul. He is completely immersed in his dream, endlessly devoted to it. Reality does not burden him, because it seems to not exist in his soul. The hero’s world is a world of “smiles, fairy tales and dreams.” The main thing is faith in the dream: “I can’t hear neither sighs nor speeches, But I believe: Darling - You.”
The poet uses characteristic images and colors here: we see the flickering of “red lamps”, the golden shine of icons, the dullness of yellow candles. Color palette here it is symbolic: the red color speaks of sacrifice, hints at the lyrical hero’s readiness to give his life for the sake of the Beautiful Lady (red color is associated with blood). Yellow and gold, on the contrary, are colors that symbolize life, sun, and warmth. Obviously, the lyrical hero merged so much with his dream that it became an unchanging part of his life.
The poem was written by a dolnik. The poet uses various means artistic expression: epithets (“dark temples”), metaphor (“Smiles, fairy tales and dreams run high along the eaves”), alliteration (“I tremble from the creaking of doors”).
Thus, the work is “programmatic” for Blok’s early lyrics. The young poet embodied his myth about the World Soul through allegories, mystical premonitions, mysterious hints and signs.
One must read the verse “I enter dark temples” by Alexander Alexandrovich Blok with the full understanding that this is a deeply personal work. It was written in 1902, when the poet turned 22 years old. He was young and in love, searching for his own spiritual truth, and actively writing. The text of Blok’s poem “I Enter Dark Temples” is a kind of hymn of love, containing the tender feeling that the poet felt at that time for his future wife L. D. Mendeleeva. This is the eleventh poem dedicated to her, the most beautiful and mysterious. It has absorbed everything best motives cycle "Poems about a Beautiful Lady". It's easy to learn, it flows like a song.
In literature lessons in the 11th grade, teachers say that during this period the poet was actively searching for the ideal of Eternal Femininity, a material, and at the same time divine child of freedom and light. He strove to find something that rises above the everyday world, and having found it, to make serving this ideal a part of his life, to sing in word and deed of unearthly beauty and purity. The entire poem is permeated with melancholy and sadness because the search is in vain, that the image dear to the heart is constantly hidden behind the shadows, that it is distant and unreal, that the dream is unattainable. The lyrical hero tries, but cannot find that one, his soul mate, without whom he cannot find integrity. She constantly eludes him, although he is ready to serve her as a Divinity, as the Mother of God, as the Most Pure Virgin, as the “Eternally Young Lady of the Universe.” Even from contemplating her, the hero experiences a feeling of deep aesthetic pleasure, and he feels bad where her presence is not felt. Blok is a symbolist, and therefore the image of the temple here is not accidental. Only here can you find unearthly beauty and perfection.
You can get acquainted with this lyrical work, considered one of the most beautiful poems about love, online or download it in its entirety on our website.
I enter dark temples,
I perform a poor ritual.
There I am waiting for the Beautiful Lady
In the flickering red lamps.
In the shadow of a tall column
I'm shaking from the creaking of the doors.
And he looks into my face, illuminated,
Only an image, only a dream about Her.
Oh, I'm used to these robes
Majestic Eternal Wife!
They run high along the cornices
Smiles, fairy tales and dreams.
Oh, Holy One, how tender the candles are,
How pleasing are Your features!
I can't hear neither sighs nor speeches,
But I believe: Darling - You.
The poem incorporates the main motifs of the cycle “Poems about a Beautiful Lady.”
The reason for creating the poem was the meeting of A. Blok with L. D. Mendeleeva in St. Isaac’s Cathedral. An image appears before the lyrical hero that can only be compared with Pushkin’s Madonna. This is “the purest example of pure beauty.” In the poem, with the help of color, sound and associative symbols, the image of the Beautiful Lady of the lyrical Hero mysteriously and indefinitely appears before us. All words and stanzas are full of special significance: “Oh, I’m used to these vestments,” “Oh, holy ..." - with the help of anaphora, the author emphasizes the importance of the event.
The intonation is solemn and prayerful, the hero longs and begs for a meeting, he trembles and trembles all over in anticipation of her. He expects something wonderful, majestic and completely worships this miracle.
“The flickering of red lamps” does not allow us to clearly see the image of the Beautiful Lady. She is silent, inaudible, but words are not needed to understand and respect Her. The hero understands Her with his soul and raises this image to heavenly heights, calling her “The Majestic Eternal Wife.”
Church vocabulary (lamps, candles) places the image of the Beautiful Lady on a par with the deity. Their meetings take place in the temple, and the temple is a kind of mystical center that organizes the space around itself. Temple-architecture, which strives to recreate a world order that amazes with harmony and perfection. An atmosphere is created corresponding to the anticipation of contact with the deity. The image of the Mother of God appears before us as the embodiment of the harmony of the world, which fills the hero’s soul with reverence and peace.
He is a loving, selfless, under the impression of a beautiful person. She is that beautiful and ethereal thing that makes the hero shudder: “And an illuminated image looks into my face, only a dream about her,” “I tremble from the creaking of doors...” She is the concentration of his faith, hope and love.
Color palette consists of dark shades of red (“In the flickering of red lamps...”), which convey sacrifice: the hero is ready to give up his life for the sake of his beloved (red is the color of blood); yellow and gold colors (candles and church images), carrying warmth directed towards a person and the special value of the surrounding existence. Tall white columns elevate the significance of both the image of the Beautiful Lady and the emotional feelings of the hero. Blok wrapped everything that happened in the poem in darkness, covered it with a dark veil (“dark temples”, “in the shadow of a high column”) in order to somehow protect this closeness and holiness of the characters’ relationship from the outside world.
Color painting. Sound recording.
Stanza 1: the sounds “a”, “o”, “e” combine tenderness, light, warmth, delight. The tones are light and shimmering. (Color white, yellow.)
Stanza 2: sounds “a”, “o”, “and” - constraint, fear, darkness. The light is diminishing. The picture is unclear. (Dark colors.)
Stanza 3: The darkness leaves, but the light comes slowly. The picture is unclear. (A mixture of light and dark colors.)
Stanza 4: the sounds “o”, “e” carry ambiguity, but bring the greatest flow of light, expressing the depth of the hero’s feelings.
Analysis of the poem by A.A. Blok "The girl sang in the church choir" .
In this poem, the poet conveys the interaction of the Eternal Feminine, beauty with the reality of life, that is, the connection between the earthly and the Divine.
At the beginning of the poem there is peace, tranquility. A church is depicted, a singing girl, and in the background there are ships sailing into the sea, people who have forgotten their joy. The girl in the church song empathizes with “...the tired in a foreign land, the ships that have gone to sea and forgotten their joy.” Her song is a prayer for those torn away from their native home, for those abandoned to a foreign land. The peaceful singing encouraged everyone from the darkness to look at her White dress and listen to the mournful song. The darkness and her white dress symbolize the sinful and the holy in the midst of this cruel world. With her singing, she instilled in people a piece of sincere kindness, hope for a better, brighter future: “...And it seemed to everyone that there would be joy, that all the ships were in the quiet backwater, that tired people in a foreign land had found a bright life for themselves.”
We see the unity of those present in the church in one spiritual impulse. Even at the beginning of the poem there was no hope for happiness, a bright life. But when her gentle voice was heard from the darkness and a white dress appeared, illuminated by a ray, then the confidence came that the world was beautiful, it was worth living for the sake of beauty on Earth, despite all the troubles and misfortunes. But in the midst of universal happiness, someone will be deprived and unhappy - the one who went to war. And now the warrior will live only with memories, hoping for the best.
With her dazzling radiance and gentle voice, the girl gave people the opportunity to forget for a moment about what was happening outside the church. In the image of the girl they saw that ray of life that they so needed. They saw her not as a simple girl, but as a Divinity who descended from heaven to the sinful earth to save their souls. In the last column of the poem, the cry of a child is a harbinger of war. After all, the poem was written in 1905 (the end of the Russo-Japanese War).
Helps us understand the deeper meaning of the poem color background. If at the beginning of the poem people are swallowed up in darkness, then already at the end of the poem dark colors turn into light. It seemed to them that they “...found a bright life.”
In the fourth stanza, in the third line - “...participated in secrets, - the child cried” - this child is prophetic, the future is open to him, he knew in advance the tragic outcome for Russia in the war in the summer of 1905. The child personifies rebirth, renewal, everything that is bright and innocent. And in in this case– he is a child prophet, foreseeing a difficult future for Russia.
The poem “I Enter Dark Temples” by Alexander Blok absorbed all the main motifs of the cycle “Poems about a Beautiful Lady.” The main motive of the poem is the expectation of meeting the Beautiful Lady and high service to Her. The entire work is surrounded by an atmosphere of mystical mystery and miracle. Everything here is elusive, everything is just a hint. Some kind of reflections, flickering, hopes for an incomprehensible miracle - for the appearance of a Beautiful Lady, in whose image a certain Divine principle was embodied.
The words of the lyrical hero take on the character of a solemn hymn, a prayer chant with which believers usually turn to their Deity. The text of the work consists of appeals and exclamations expressing the hero’s immense admiration. No events occur. There is only expectation: the lyrical hero sees himself in the image of a devoted knight who has made a high vow of eternal service to his Beautiful Beloved.
The lyrical hero calls his beloved the Majestic Eternal Wife, Sweetheart, Saint. So lofty and holy is the image of the Beautiful Lady that all addresses to her are written by the author with a capital letter. And not only these words, but also pronouns: You, about Her, Yours. The ritualism and holiness of what is happening is also emphasized by the image of a temple, burning candles and lamps. The poem itself sounds like a prayer. Solemn vocabulary: a lot of tall, beautiful and outdated words, emphasizing the exclusivity of the event (I am performing a ritual; the flickering of lamps, illuminated, vestments, joyful).
Love for a Beautiful Lady is a kind of sacrament. The heroine appears both in the guise of the Majestic Eternal Wife, and in the guise of a simply earthly woman, when the lyrical hero calls her Sweetheart. The lyrical hero expects a miracle - the appearance of a mysterious Stranger. His lonely, anxious soul strives for the sublime, awaits revelation, rebirth. This waiting is languid, tense, anxious. The poet uses the symbolism of the color red. In all poems dedicated to the Beautiful Lady, the color red is both the fire of earthly passions and a sign of Her appearance. In this poem, the lyrical hero waits for Her appearance in the light of red lamps. The epithet illuminated also reflects this color:
The Beautiful Lady is a dream, an ideal, but happiness with her is possible not on earth, but in eternity, in dreams. This poem contains the usual love lyrics motives: dreams of Her, hope of meeting. But the image of the Beautiful Lady is unusual. This is not only the real beloved of the lyrical hero, but also the Soul of the World. The lyrical hero is not just a lover, but a Man in general, who strives to merge with the Soul of the World - to achieve absolute harmony. In this reading, the poem is no longer perceived as love, but as philosophical lyrics.
The dream of meeting a Beautiful Lady is a desire to leave real world, from unworthy people, for whom “the truth is in wine,” in profit and self-interest. Using associations, images and symbols, Alexander Blok writes not only about love, but also about a complex, unknown world that awakens harmony, beauty, and goodness in the soul. To enhance the impression, Blok uses epithets (dark temples; poor ritual; gentle candles; gratifying features). Emotionality is enhanced by personifications (smiles, fairy tales and dreams are running; the image is looking) and rhetorical exclamations (Oh, I’m used to these robes / of the Majestic Eternal Wife]; Oh, Holy One, how gentle are the candles, / How gratifying are Your features!).
Assonances are used (There I am waiting for the Beautiful Lady / in the flickering red lamps). The poem is written with a three-beat dol. The foot is multisyllabic with stress on different syllables, the rhyme is cross.
The poem “I enter dark temples...” was written by Blok on October 25, 1902. This time has been marked important events in the poet’s personal life – by falling in love with him future wife, L.D. Mendeleev.
In addition, it is known that in the early period of his creativity Blok was interested in the philosophy of Vl. Solovyova. In the teachings of this philosopher, the poet was attracted by the idea of Eternal Femininity, or the Soul of the World. According to Solovyov, it is through love that the elimination of egoism and unity with each other is possible. " High love“It opens to the world through love for an earthly woman, in which one must be able to see her heavenly nature.
All these thoughts and moods are reflected in the poem “I Enter Dark Temples...” In general, the mood of the work can be characterized as a mood of expectation. The lyrical hero is in love. He expects from his beloved the revelation of her feminine essence and, through this, the knowledge of Higher Femininity, Harmony, and merging with the world. Therefore, we can say that this poem is a combination of love lyrics with spiritual lyrics.
The entire work is built on a metaphor. The hero enters the “dark temples”. I think this is a metaphor for love. The combination of these words is interesting; it reflects the hero’s attitude towards his feelings. “Temples” are something holy, divine, while “dark” is unknown, mysterious, alluringly mysterious and frightening.
The hero does not know, doubts, his beloved is really She - the woman of his life, his destiny, his Goddess and Muse. Or is he wrong? But despite this, he waits, trembling with excitement, because he loves:
In the shadow of a tall column
I'm shaking from the creaking of the doors.
What is important here, in my opinion, is the epithet “illuminated”, related to the image, dream, dream of Her. This image is illuminated somehow high society, premonition. The hero knows within herself that she is She.
The further development of the poem confirms this:
Oh, I'm used to these robes
Majestic Eternal Wife!
They run high along the cornices
Smiles, fairy tales and dreams.
At first, the hero was uncomfortable with the thought that his beloved was the Majestic Eternal Wife, that is, the personification of the highest femininity, strength and weakness, harmony, which would save the world. But gradually he got used to the fact that every time he came into contact with such a miracle. Therefore, he says that he is “used to these vestments.” Now they don’t bother him, but inspire him to “smiles, fairy tales and dreams.” They inspire dreams of your beloved as an earthly woman.
The last stanza completes the reflections of the lyrical hero. He brings to the fore the spiritual higher essence of his beloved. He "believes" that she is the embodiment Supreme harmony:
Oh, Holy One, how tender the candles are,
How pleasing are Your features!
But I believe: Darling - You.
Thus, the poem can be divided into three parts: introduction, development of thoughts, conclusion.
The language of the work is bright, rich in means of artistic expression. There are especially many epithets here (dark temples, a poor ritual, a Beautiful Lady, an illuminated image, the Majestic Eternal Wife, gentle candles, gratifying features) and metaphors (the image looks, the Wife’s vestments, smiles, fairy tales and dreams run).
Syntactically, an inversion can be noted in the poem (I enter, I commit, I wait, etc.) This gives it measuredness and solemnity. There are exclamatory sentences here that convey the strength of the hero’s hopes and expectations.
In general, the structure of sentences is quite simple. It corresponds to the “poor rite” performed by the hero.
I believe that the poem “I enter dark temples...” is one of best poems A. Blok. It shows love, first of all, as a spiritual, emotional, emotional fusion of two people. In addition, I am close to the idea that only love will save every person and the whole world as a whole, because love is God.
Analysis of A. Blok’s poem “I enter dark temples...”
Analysis of the poem by A.A. Blok "I enter dark temples"
Poem “I enter dark temples. "was written in 1902 and is included in the first volume of lyrics (1898-1902). Blok created his first book under the strong influence of the philosophical ideas of Vladimir Solovyov. In this teaching, the poet is attracted by ideas about the ideal, about the desire for it as the embodiment of the Soul of the World, Eternal Femininity - beauty and harmony. Blok gave his ideal image the name “Beautiful Lady” and created a cycle of “Poems about a Beautiful Lady,” which includes the poem “I enter dark temples. "
The central motive of the poem is the motive of expectation and hope for a meeting with the Beautiful Lady. Gradually, the lyrical hero’s anxiety increases (“I’m trembling from the creaking of the doors.”), as her image visibly appears in his imagination, illuminated by an aura of holiness. Her appearance brings peace to the hero’s soul, he finds harmony:
Oh, Holy One, how tender the candles are,
How pleasing are Your features!
I can't hear neither sighs nor speeches,
But I believe: Darling - You.
This poem contains motifs familiar to love lyrics: dreams of Her, hope of meeting. But since the image of the Beautiful Lady is a complex, syncretic image, it is not only a real beloved, but also the Soul of the World, then these motives are comprehended on an unusual plane. The lyrical hero is not just a lover, but a Man in general, striving to merge with the Soul of the World, that is, to achieve absolute harmony. In this reading, Blok’s poems appear as philosophical lyrics.
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“I enter dark temples...” A. Blok
“I enter dark temples...” Alexander Blok
I enter dark temples,
I perform a poor ritual.
There I am waiting for the Beautiful Lady
In the flickering red lamps.
In the shadow of a tall column
I'm shaking from the creaking of the doors.
And he looks into my face, illuminated,
Only an image, only a dream about Her.
Oh, I'm used to these robes
Majestic Eternal Wife!
They run high along the cornices
Smiles, fairy tales and dreams.
Oh, Holy One, how tender the candles are,
How pleasing are Your features!
I can't hear neither sighs nor speeches,
But I believe: Darling - You.
Analysis of Blok’s poem “I enter dark temples...”
Love lyrics are of key importance in the works of Alexander Blok. And this is not surprising, since the 17-year-old poet, who experienced strong feelings for Lyubov Mendeleeva, managed to preserve them for the rest of his life. This woman was destined to become Blok's muse and his guardian angel. Even after fate separated this couple, the poet continued to love his ex-wife, helped her in every possible way and sincerely believed that they were made for each other.
For the first time, the image of Lyubov Mendeleeva appeared in the poet’s poems dated last year 19th century. This period of creativity includes the creation of a cycle of works dedicated to the mysterious beautiful lady. Its prototype was the poet’s chosen one, who did not reciprocate his feelings for a long time. As a result, the young people separated and did not see each other for several years, during which Blok recreated a sweet image in his works with enviable regularity. The eyes, smile and even the voice of Lyubov Mendeleeva followed the poet everywhere. Blok even admitted that it was like a kind of insanity when in a crowd of people you try to find a familiar figure, you notice a similar head tilt in completely strangers and even the manner of carrying a handbag in your hands.
The poet did not tell anyone about his emotional experiences, but what he felt after parting with his chosen one can be easily read between the lines of his works. One of them is the poem “I Enter Dark Temples...”, created in 1902. Its essence boils down to the fact that even in the image of the Mother of God the poet seems to be beloved, and this fills his soul with double joy. It is difficult to judge how much of what was written corresponded to reality, but acquaintances of the young Blok claim that at some point he became truly devout and rarely missed Sunday services. It can be assumed that with the help of prayer the poet tried to drown out his mental pain and come to terms with the loss of a loved one. However, the author himself explains this behavior somewhat differently, noting: “there I am waiting for the Beautiful Lady in the flickering red lamps.”
It would be foolish to expect that it would be in the temple that Blok would meet his pragmatic and free from religious prejudices lover. The poet understands this very well, but continues to go to church. There, “only an illuminated image, only a dream about Her,” looks into my face. Now there is no longer any doubt that in the images of the “Majestic Eternal Wife” the poet sees the features of the girl with whom he is in love. And this similarity fills Blok’s soul with inexplicable joy; he believes that his love is a gift from heaven, and not a curse. And such an interpretation is so strong feeling forces Blok not to abandon him, but, on the contrary, to cultivate love in his heart, which gives him the strength to live. “I can’t hear any sighs or speeches, but I believe: Darling, you are,” the poet admits.
The romantic period in Blok’s work, associated with the creation of the cycle “Poems about a Beautiful Lady,” did not pass without a trace for the poet. Until his death, he treated women with great respect, considering them superior beings, more refined and vulnerable. As for Lyubov Mendeleeva, he truly idolized her and was even slightly afraid of the fact that with your own feelings, rude and primitive, can denigrate the soul of the one he loves so much. However, as practice shows, not every woman can appreciate such a reverent attitude towards herself. Mendeleev's love in this regard was no exception, as she betrayed Blok more than once, falling in love with other men. However, after the poet’s death, she admitted that she was unfair to him and could not fully understand what a noble and sublime nature her husband possessed.
Poetic analysis “I enter dark temples” (A. Blok)
February 4, 2016
This poem was written when young Alexander Blok was barely 22 years old. It was this time that was marked by the poet himself as a period of active creativity, an open spiritual search for his own highest truth and truth. A whole cycle of love poems is dedicated to Lyubov Dmitrievna Mendeleeva. In her person the poet found a dear friend and muse, whom he served all his life. He idolized this girl, who later became his wife, and saw in her manifestations of the divine essence.
The poetic analysis of “I enter dark temples” is intended to show and indicate main feature spiritual quests of Alexander Blok at a specific stage of creative development. Namely, serving the image of the Eternal Femininity, trying to find it in material world, approach her and make an integral and indestructible face part of your own existence.
Theme of the poem
“I Enter Dark Temples” is one of the pinnacles of Alexander Blok’s poetry in the cycle dedicated to the Beautiful Lady. The key point should be considered an attempt to find a dream, an image of Eternal Femininity in the everyday world with prevailing material values and attitudes. This clearly shows the moment of discrepancy in ideas, irresponsibility, futility of search.
The analysis of “I Enter Dark Temples” shows how disconnected the lyrical hero of A. Blok is from reality, absorbed in his own obsession. And it is difficult for him to cope with this mystical desire; it subjugates him, deprives him of his will, common sense, and reason.
The state of the lyrical hero
The verse “I enter dark temples” is the eleventh in a number of works addressed to Lyubov Dmitrievna Mendeleeva. The lyrical hero is in a state of anxiety, he wants to find integrity with himself, to find his lost soulmate - a part of himself, without which he cannot become happy. In a holy place, a temple, he sees only echoes of that mysterious, unearthly image to which his search is directed, on which all his attention is focused. Here the author himself connects with the feelings of the lyrical hero in these deep inner experiences.
Image of Eternal Femininity
One of the most beautiful and mysterious is the poem “I Enter Dark Temples.” Blok endowed his heroine with fabulous, mystical features. It is elusive in its essence, beautiful and incomprehensible, like a dream itself. This is how the image of Beauty arises as a hypostasis of divine love. Often the lyrical hero compares her with the Mother of God and gives her mystical names. Alexander Blok called her the Dream, the Most Pure Virgin, the Eternally Young, the Lady of the Universe.
Readers always have rave reviews and impressions after reading poems such as “I enter dark temples.” Blok is a favorite poet of many intellectuals, especially his work is close to young boys and girls. The one whom the lyrical hero serves is shrouded greatest mystery. He treats her not as an earthly woman, but as a deity. She's surrounded secret signs and shadows, in which her attraction to the Apollonian principle is discerned - the hero contemplates her and himself receives aesthetic pleasure from the experience of feeling. The analysis of “I Enter Dark Temples” demonstrates to the reader an interesting approach to the interpretation of lines known and loved by millions.
Key characters
In the poem one can highlight several images that create a kind of background for the development of the action and complement the plot with bright pictures.
The robes emphasize the holiness and sublimity of the image of the Beautiful Lady. This is the material embodiment of the divine principle (Mother of God, church). Everything earthly is alien to her; she represents the sublime element of freedom and light. You can pray to her at night in the moonlight, chanting her unsurpassed beauty with every thought and action.
Red lamps symbolize the unattainability of a dream, its remoteness and unreality, compared to everyday life. Here there is a connection between the fictional world and reality.
Thus, the analysis of “I Enter Dark Temples” emphasizes the idea that the poet’s intimate and personal experiences of youth occurred against the backdrop of a desire to unravel the mystery of Beauty.
Listen to Blok's poem I Enter Dark Temples
Topics of adjacent essays
Picture for the essay analysis of the poem Entering dark temples
I enter dark temples,
I perform a poor ritual.
There I am waiting for the Beautiful Lady
In the flickering red lamps.
In the shadow of a tall column
I'm shaking from the creaking of the doors.
And he looks into my face, illuminated,
Only an image, only a dream about Her.
Oh, I'm used to these robes
Majestic Eternal Wife!
They run high along the cornices
Smiles, fairy tales and dreams.
Oh, Holy One, how tender the candles are,
How pleasing are Your features!
I can't hear neither sighs nor speeches,
But I believe: Darling - You.
Analysis of the poem “I Enter Dark Temples” by Blok
A. Blok entered Russian poetry thanks to the publication of the first collection of poems, “Poems about the Beautiful Lady,” which was dedicated to L. Mendeleeva. This woman became the first and only true love poet. She did not reciprocate Blok’s feelings for a long time, so the poet’s sad mood is felt in the collection. The cycle includes the work “I Enter Dark Temples...” (1902).
At the beginning of the century, Blok was greatly fascinated by the philosophical ideas of Vl. Solovyov, especially his teaching about Eternal Femininity. This concept underlies all the poems in the series “Poems about a Beautiful Lady.” The poet treated his chosen one as a deity. He considered it blasphemous to mention her name or describe her physical qualities. Love, according to Solovyov, underlies the whole world. The embodiment of ideal beauty in an earthly woman is a rare occurrence. Therefore, the search for such an embodiment is a primary task for understanding the meaning of life and achieving world harmony.
Characteristic feature early creativity The block is also a religious symbol. In search of his beloved, the lyrical hero enters “dark temples.” The poet was not a convinced Christian. In religious symbols he saw a source of special power, which emphasized the mystical meaning of his search. In fact, Blok replaced the Mother of God with the image of his Beautiful Lady. According to the teachings of Solovyov, in a single female image the Eternal Mother, Wife and Lover unite. All Blok’s hopes and aspirations are addressed to the “Great Eternal Wife.” This was one of the reasons that Mendeleeva did not reciprocate the poet’s feelings for a long time. The simple girl was amused and a little frightened by such an exalted state of her admirer. Even alone with his beloved, Blok completely abstracted himself from reality. Instead of the usual manifestations of love, he recited his vague, enthusiastic works.
The lyrical hero is in the temple, but religion does not interest him at all. He awaits with trepidation the appearance of his Beloved, sees her image in everything around him. The hero in love no longer notices anything around him: “I can’t hear either sighs or speeches.” Being in such an enthusiastic state, distant from reality, was generally characteristic of Blok. This surprised and alarmed not only Mendeleeva, but also all the people around her. The poet was considered a very strange and mysterious person. Only a narrow circle of close friends treated him with understanding and respect.